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这个特别的江南艺术群体，他们包括：领军人物沈铨，弟子或再传弟子沈天骧、童衡、吴琦、高均、李振仪、虞应樾、沈赤然、陈芬、陈儒珍、陈毓珍、谈德寿等。他们大都出生于浙江德清县新市，受吴越文化浸润很深。在艺术上，皆有师承，同道的砥砺，并糅合了民间艺术，故总体风格一致，且大都以善画花卉鸟兽见长。因其多数出生、生活、聚集于古镇新市，又因领军人物沈铨的广泛影响，故可称其为“新市派”或曰“沈铨派”。
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老人名叫吴冠中，是享誉世界的国宝级国画大师。他一生挚爱就是画画，他更是钟爱回归淳朴，用画笔描绘出梦里老家的样子。他一走进龚滩，就深深地爱上了这条曲曲折折的石板街。他离开后写下一篇散文《风光风情说乌江》，深情地称龚滩“是爷爷、奶奶的家，是唐街、宋城”。
江南自古物华天宝之地，人文荟萃，风景秀丽，每个古镇似曾相识又各有千秋，每天吸引着无数的游客，为的就是寻找心中的江南和远去的乡愁。
Male Utd đã đạt thỏa thuận chiêu mộ tiền đạo Bryan Mbeumo từ Brentford với mức phí 71 triệu bảng.
台湾大学教授傅申先生在《民初帖学书家沈尹默》一文中，有"楷书中我认为适合他书写的，还是细笔的楮楷，真是清隽秀朗，风度翩翩，在赵孟頫后，难得一睹。"已故浙江美院陆维钊教授评沈老书法时，云:"沈书之境界、趣味、笔法，写到宋代，一般人只能上追清代，写到明代，已为数不多。"
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民生银行半年报显示——不良连续三个季度“双降” 资产质量保持稳固向好
我国有几千年绘画历史，花鸟画起始于汉代，明代林良、吕纪又提炼创新。清代的沈铨，从北宋院体的工笔花鸟画中吸取营养，并学习沈周、郭熙。他在继承明代画风的基础上，开创新意，将对大自然之真情实感，通过丹青提炼阐发，形成了自己独特的画风。他行笔精致，格调高古，有自己独特的造诣。其绘画主要特点有三：一是“托物寓意”。他笔下的花鸟、走兽，善于将文人画的意趣，与民间艺术融为一体，赋予描绘对象以美好的意蕴，形成清新自然、雅俗共赏的画风。二是“章法融意”。他作画能将各种手法与艺术形象融为一体，宛若天成。三是“以情酿意”。沈铨作画时倾注了自己的浓郁情感，行笔用墨、皴染设色，无不精心为之。笔、墨、色经画家的激情渲染，使整个画面浑然一体，意境悠远。沈铨书法，自魏碑汉隶着手，颜真卿、赵孟頫之法兼而有之，从历代书家中取其精华，并揣摩前人书法之神韵，故逸英多姿，清新怡人，达到了炉火纯青的地步。
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童衡，字聘三，号志丑，德清新市镇人，沈铨入室弟子，生卒年不详。善画花卉、翎毛、走兽，尤擅画马、鹿、松鹤，笔墨工致，形态逼真，栩栩如生，深得乃师神形，几可乱真，声誉于时。传世作品有《福禄来朝图》轴、《五马图》、《骏马图》等。